1
00:00:05,873 --> 00:00:08,607
YES, I DO UNDERSTAND
EVERYONE'S DISPLEASURE...

2
00:00:08,676 --> 00:00:11,009
WITH OUR MALFUNCTIONING
HEATING SYSTEM.

3
00:00:12,346 --> 00:00:14,513
HOWEVER...

4
00:00:14,582 --> 00:00:18,149
IT, UH, BEHOOVES US...

5
00:00:18,218 --> 00:00:21,119
GOD BLESS YOU...

6
00:00:21,188 --> 00:00:24,423
AS PROFESSIONALS, TO
ACCEPT IT IN GRACEFUL STRIDE.

7
00:00:24,492 --> 00:00:26,892
AS FAR AS THE METAPHORICAL
LIGHT AT TUNNEL'S END,

8
00:00:26,960 --> 00:00:30,095
MAINTENANCE, JUST ONE HALF HOUR
AGO, GAVE ME HIS PERSONAL ASSURANCE...

9
00:00:30,163 --> 00:00:32,498
THAT SAID FURNACE WILL
BE FUNCTIONING AGAIN...

10
00:00:32,566 --> 00:00:35,000
BY MIDMORNING.

11
00:00:35,068 --> 00:00:39,438
YEAH. WELL, YOU KNOW, THEY
HAVE BEEN KNOWN TO LIE, SARGE.

12
00:00:39,507 --> 00:00:43,542
WELL, I CAN'T DENY THE TRUTH OF
THAT, WASHINGTON, BUT WHAT CAN WE DO?

13
00:00:43,611 --> 00:00:47,880
THEY GOT US BY THE, UH...

14
00:00:47,948 --> 00:00:50,382
EARLAPS, AS IT WERE.

15
00:00:50,451 --> 00:00:52,384
OUR NEXT ITEM.

16
00:00:52,453 --> 00:00:57,355
<i>ITEM 14 CONCERNS
BASIC MATURITY...</i>

17
00:00:57,425 --> 00:00:59,357
OR LACK OF IT...

18
00:00:59,427 --> 00:01:02,428
OR WHAT IS COMMONLY CALLED
STUPIDITY IN THE EXTREMIS,

19
00:01:02,496 --> 00:01:06,432
<i>WHICH IS TO SAY, SNIPER ALLEY.</i>

20
00:01:06,500 --> 00:01:08,767
<i>ONCE AGAIN, CERTAIN
THRILL-SEEKERS...</i>

21
00:01:08,836 --> 00:01:12,871
<i>HAVE INSISTED UPON RUNNING THE GAUNTLET OF
SNIPER ALLEY IN THEIR BLUES AND WHITES...</i>

22
00:01:12,940 --> 00:01:17,443
IN AN ATTEMPT TO DRAW ROCKS, BOTTLES AND
RIFLE FIRE FROM THE UNFRIENDLIES UP THERE.

23
00:01:17,511 --> 00:01:21,246
<i>I WILL NOT HAVE IT.</i>

24
00:01:21,315 --> 00:01:24,049
<i>CAPTAIN FURILLO
WILL NOT HAVE IT.</i>

25
00:01:24,117 --> 00:01:27,385
IS THAT CLEAR?

26
00:01:29,000 --> 00:01:35,074
OpenSubtitles recommends using Nord VPN
from 3.49 USD/month ----> osdb.link/vpn

27
00:01:40,634 --> 00:01:43,134
ANY UNINVITED
INCURSIONS UP THERE...

28
00:01:43,203 --> 00:01:47,606
CAN SERIOUSLY DAMAGE THE CAPTAIN'S
NEGOTIATIONS WITH THOSE PEOPLE.

29
00:01:47,675 --> 00:01:51,643
<i>SO LET'S REMEMBER WHO
AND WHAT WE ARE, HUH?</i>

30
00:01:53,180 --> 00:01:56,748
<i>AND WHILE I'M ON THE
SUBJECT OF CAPTAIN FURILLO...</i>

31
00:01:56,817 --> 00:01:59,521
<i>THANK YOU. I FIND MYSELF
CHARGED WITH MAKING</i>

32
00:01:59,545 --> 00:02:02,087
<i>A DIFFICULT AND
DISTRESSING ANNOUNCEMENT.</i>

33
00:02:02,155 --> 00:02:04,200
YES, THE SCUTTLEBUTT IS
MORE OR LESS ACCURATE.

34
00:02:04,224 --> 00:02:08,594
CAPTAIN FURILLO IS A PRIME CANDIDATE FOR
A PROMOTION TO COMMANDERSHIP AT DIVISION.

35
00:02:08,662 --> 00:02:12,965
<i>AS A PERSONAL OBSERVATION, I
THINK HE'S THE ABLER MAN FOR THE JOB.</i>

36
00:02:13,033 --> 00:02:16,234
SO WHAT SAY WE GIRD
OUR LOINS FOR THE WORST.

37
00:02:16,303 --> 00:02:19,638
SUCH IS LIFE. SUCH
IS POLICE WORK.

38
00:02:19,707 --> 00:02:22,808
ALL RIGHT. THAT'S
IT. HEY, STAY WARM.

39
00:02:22,877 --> 00:02:24,877
AND, UH...

40
00:02:24,945 --> 00:02:27,713
<i>LET'S BE CAREFUL OUT THERE, HUH?</i>

41
00:02:31,218 --> 00:02:33,485
SEE A DOCTOR, WOULD YA, PLEASE?

42
00:02:35,022 --> 00:02:37,455
HOMEOPATH... TAKE SOMETHING.

43
00:02:37,525 --> 00:02:39,992
YOU GOT ANYTHING? I DON'T KNOW.

44
00:02:40,060 --> 00:02:42,394
<i>AT LEAST SOMEBODY.</i>

45
00:02:48,301 --> 00:02:50,235
YOU GUYS WERE UP AT
GIBSON HEIGHTS, RIGHT?

46
00:02:50,303 --> 00:02:53,839
YEAH, SIX MONTHS' WORTH.
BEFORE THAT, MIDTOWN.

47
00:02:53,908 --> 00:02:57,576
WELL, YOU GUYS SURE MOVE AROUND A
LOT. SOUNDS LIKE SOMEONE'S ON YOUR CASE.

48
00:02:57,645 --> 00:03:00,111
YEAH. HIM.

49
00:03:00,180 --> 00:03:03,393
THOUGHT THERE MIGHT BE A
LITTLE BIT MORE ACTION UP THIS WAY.

50
00:03:03,417 --> 00:03:05,862
WELL, WE'VE BEEN KNOWN TO
STAIN A FEW GARMENTS UP HERE.

51
00:03:05,886 --> 00:03:10,722
YOU MEAN, YOU REALLY ASKED
TO TRANSFER TO THE HILL, HMM?

52
00:03:10,791 --> 00:03:14,225
<i>WELL, I WOULDN'T PUT
IT THAT WAY EXACTLY.</i>

53
00:03:14,294 --> 00:03:18,063
- <i>BUT, UH, LET'S TALK</i>
<i>SOMETIME, HUH?</i>
- YEAH.

54
00:03:18,131 --> 00:03:21,171
Y'ALL GIVE US A CALL IF YOU WANT
TO GO EAT OR SOMETHING LIKE THAT.

55
00:03:21,201 --> 00:03:23,869
<i>I THINK WE HAVE THE
NEIGHBORHOOD PRETTY WELL LAID OUT.</i>

56
00:03:23,938 --> 00:03:26,872
<i>I'LL BET YOU DO. CARMICHAEL... SEEMS
LIKE I HEARD THEM NAMES BEFORE.</i>

57
00:03:26,941 --> 00:03:29,275
IT'S NOT FOR PUBLICATION,
BUT THEY'RE TOP OF

58
00:03:29,299 --> 00:03:31,710
THE "F" LIST. ONE MORE
FOUL, AND THEY'RE OUT.

59
00:03:31,779 --> 00:03:35,113
<i>DISPATCH. WE HAVE A 9-11.</i>

60
00:03:35,182 --> 00:03:37,182
<i>ARMED ROBBERY IN PROGRESS.</i>

61
00:03:37,250 --> 00:03:40,351
<i>SEE SURPLUS STORE, CORNER
PEOPLE'S DRIVE, 124th STREET.</i>

62
00:04:47,221 --> 00:04:49,220
<i>WELL, AS SOON AS HE
GETS IN, HAVE HIM CALL ME.</i>

63
00:04:49,289 --> 00:04:51,159
SOMEBODY OVER THERE
DROPPED THE BALL ON MY

64
00:04:51,183 --> 00:04:53,258
EX-WIFE'S PHONE TRACE,
AND I WANT TO KNOW WHO.

65
00:04:53,327 --> 00:04:55,660
WELL, THEN HAVE HIM
PAGED OVER THERE...

66
00:04:55,728 --> 00:04:58,596
AND TELL HIM TO GET IN TOUCH
WITH ME OR RAY CALLETANO.

67
00:04:58,665 --> 00:05:00,665
<i>YEAH, YOU DO THAT.</i>

68
00:05:00,733 --> 00:05:02,733
THANK YOU.

69
00:05:06,006 --> 00:05:09,674
HE'S PLAYING
RACQUETBALL. OH, NICE!

70
00:05:09,742 --> 00:05:13,011
FRANK, FRANK JR. WAS
LISTENING ON THE OTHER PHONE...

71
00:05:13,080 --> 00:05:16,681
WHILE THAT PERVERT WAS
SPEWING THAT TWISTED FILTH AT ME.

72
00:05:16,749 --> 00:05:20,285
LORD KNOWS WHAT AN EFFECT IT'S GONNA
HAVE ON HIS EMOTIONAL DEVELOPMENT.

73
00:05:20,354 --> 00:05:22,765
WELL, HE WOULDN'T HAVE HEARD
ANYTHING, FAY, IF YOU HAD HUNG UP.

74
00:05:22,789 --> 00:05:25,029
WHY DIDN'T YOU JUST HANG UP?

75
00:05:25,058 --> 00:05:26,992
BECAUSE YOUR
RACQUETBALL-PLAYING COLLEAGUE,

76
00:05:27,060 --> 00:05:30,962
THE MENTALLY DEFICIENT CAPTAIN ECKER
OF THE MIDTOWN PRECINCT, TOLD ME NOT TO.

77
00:05:31,031 --> 00:05:34,165
HE SAID, "WE HAVE TRACING
TECHNIQUES, MRS. FURILLO."

78
00:05:34,234 --> 00:05:37,402
<i>LIKE HELL THEY DO.</i>
JUST TAKE IT EASY.

79
00:05:37,471 --> 00:05:40,671
WHERE'S FRANK JR. NOW? I WANT
TO HAVE A LITTLE TALK WITH HIM.

80
00:05:40,740 --> 00:05:43,708
<i>DON'T WORRY ABOUT IT.
HARVEY IS TAKING CARE OF IT.</i>

81
00:05:43,776 --> 00:05:46,411
WELL, HE IS A
PROFESSIONAL, AFTER ALL.

82
00:05:46,480 --> 00:05:48,779
OH, GREAT, FAY.

83
00:05:48,848 --> 00:05:51,516
AND I AM MERELY
THE BOY'S FATHER.

84
00:05:51,584 --> 00:05:55,153
EXCUSE ME, FRANCIS, UH, FAY.

85
00:05:55,222 --> 00:05:58,023
YOU'RE RUNNING A GOOD 20
MINUTES LATE. NOT WISE, CONSIDERING.

86
00:05:58,091 --> 00:06:01,092
CONSIDERING WHAT? ARE YOU
LATE FOR YOUR RACQUETBALL GAME?

87
00:06:02,595 --> 00:06:04,929
PHIL,

88
00:06:04,998 --> 00:06:06,931
GET FAY A CUP OF COFFEE.

89
00:06:07,000 --> 00:06:10,001
OH, SURE. RUN OFF.

90
00:06:10,070 --> 00:06:12,115
IT'S THE STORY OF YOUR
LIFE, ISN'T IT, FRANK?

91
00:06:12,139 --> 00:06:14,450
DESERTING THE PEOPLE
WHO NEED YOU THE MOST!

92
00:06:14,474 --> 00:06:18,609
HOWARD'S THE PERFECT EXAMPLE
OF WHAT I'VE BEEN SAYING FOR YEARS.

93
00:06:20,213 --> 00:06:22,147
HUH?

94
00:06:22,215 --> 00:06:24,549
EXCUSE ME, CHIEF. I
DIDN'T QUITE HEAR THAT.

95
00:06:24,617 --> 00:06:27,897
<i>COME ON, HOWARD. YOU HEAR EVERY
SQUEAK AND BIRD CHIRP IN THIS DEPARTMENT.</i>

96
00:06:27,921 --> 00:06:30,255
WHAT I SAID WAS,

97
00:06:30,323 --> 00:06:35,193
WE'VE COME A LONG WAY SINCE THE OLD
POTATO-HEAD, FLATFOOT IMAGE OF BYGONE DAYS.

98
00:06:35,262 --> 00:06:38,863
<i>HOWARD OVER THERE HAS GOT HIS
Ph.D. ED CHAPEL'S GOT HIS MASTER'S.</i>

99
00:06:38,932 --> 00:06:42,534
<i>THERE'S NOT A MAN IN THIS ROOM
WHO ISN'T A COLLEGE GRADUATE.</i>

100
00:06:42,602 --> 00:06:45,870
AND NOT A MAN IN THIS
ROOM CAN'T HOLD HIS OWN...

101
00:06:45,939 --> 00:06:48,906
<i>WITH THE BLEEDING-HEART,
SO-CALLED INTELLECTUALS OUT THERE.</i>

102
00:06:48,975 --> 00:06:52,477
FRANK.

103
00:06:52,546 --> 00:06:55,580
- CHIEF.
- NICE TO SEE YOU.

104
00:06:55,648 --> 00:06:58,916
ED. <i>GLAD YOU COULD COME.</i>

105
00:06:58,985 --> 00:07:01,453
- HELLO, HOWARD.
- FRANK.

106
00:07:01,521 --> 00:07:03,854
WELCOME TO THE BIG TEPEE, FRANK.

107
00:07:03,923 --> 00:07:06,824
<i>GENTLEMEN, WHILE WE'RE ON
THE SUBJECT OF ACCOMPLISHMENT,</i>

108
00:07:06,893 --> 00:07:09,794
<i>A LITTLE
ANNOUNCEMENT'S IN ORDER.</i>

109
00:07:11,531 --> 00:07:13,498
WANT TO TELL 'EM,
HOWARD, OR SHOULD I?

110
00:07:14,634 --> 00:07:16,568
<i>ALL RIGHT. I'LL DO IT.</i>

111
00:07:16,636 --> 00:07:21,172
GENTLEMEN, LIEUTENANT HOWARD
HUNTER IS THIS YEAR'S RECIPIENT...

112
00:07:21,241 --> 00:07:24,075
<i>OF THE POLICE ASSOCIATION'S
MENTAL HEALTH AWARD.</i>

113
00:07:26,179 --> 00:07:29,947
<i>DAVE, I'VE GOT A GOOD IDEA.</i>

114
00:07:30,016 --> 00:07:31,949
WHAT'S THAT, CHIEF?

115
00:07:32,018 --> 00:07:34,486
WHY DON'T WE JUST PUT ED
AND FRANK IN A RING SOMEPLACE...

116
00:07:34,554 --> 00:07:36,787
AND LET 'EM SLUG IT
OUT FOR COMMANDER?

117
00:07:55,875 --> 00:07:59,777
<i>YOU ALL RIGHT?</i>

118
00:08:01,248 --> 00:08:04,282
GEE, FRANK... THAT WAS
A CLOSE ONE. THANK YOU.

119
00:08:06,520 --> 00:08:08,520
<i>WHOSE IS IT? IS THAT YOU?</i>

120
00:08:08,588 --> 00:08:10,522
<i>NO, I'M CLEAN. NOT ME.</i>

121
00:08:10,590 --> 00:08:12,723
IT'S MINE.

122
00:08:12,792 --> 00:08:16,227
<i>SORRY. CHIEF.</i>

123
00:08:16,296 --> 00:08:19,564
THANK YOU, FRANK. I'LL SEE
YOU. <i>TAKE IT EASY, FRANK.</i>

124
00:08:21,034 --> 00:08:23,446
WELL, THAT'S WHAT
I'D CALL GOOD TIMING.

125
00:08:32,945 --> 00:08:36,013
HE'LL TAKE YOUR STATEMENT.

126
00:08:36,082 --> 00:08:39,817
GUY GOT MUGGED COMIN' OUT OF THAT,
UH... THAT GLOVE FACTORY ON WATER STREET.

127
00:08:39,886 --> 00:08:41,886
OH, NEW DEAL CAP AND
GLOVE COMPANY, HUH?

128
00:08:41,954 --> 00:08:46,023
YEAH, THEY TOOK HIS MONEY, HIS
WATCH AND 20 DOZEN PAIRS OF GLOVES.

129
00:08:46,092 --> 00:08:49,126
SUCH IS THE LOT OF THE SMALL
BUSINESSMAN THESE DAYS.

130
00:08:49,196 --> 00:08:53,064
HEY, BE SUPPORTIVE. GIVE HIM A CUP
OF THE GOOD COFFEE. ALL RIGHT, SARGE.

131
00:08:53,132 --> 00:08:56,492
KEEP UP THE GOOD WORK. I WANT
TO SEE YOU GUYS MAKE GOOD. <i>BELKER.</i>

132
00:09:02,509 --> 00:09:06,244
IT'S HIM. I SHOULD'VE FIGURED I'D FIND
THAT SAWED-OFF LITTLE KIKE UP HERE.

133
00:09:06,313 --> 00:09:08,379
WHAT'D YOU SAY? SHUT UP!

134
00:09:08,448 --> 00:09:10,615
<i>WHY IS IT SO COLD
THIS MORNING, LEO?</i>

135
00:09:10,684 --> 00:09:12,724
NOBODY PAID THE
UTILITY BILLS AGAIN.

136
00:09:12,752 --> 00:09:15,019
TRY RUBBING A COUPLE WINOS
TOGETHER OR SOMETHING.

137
00:09:15,088 --> 00:09:18,523
WINOS.

138
00:09:18,592 --> 00:09:20,458
WHAT SAY, JEW BOY?

139
00:09:24,197 --> 00:09:27,265
<i>WHAT'S GOING ON HERE?</i>

140
00:09:27,334 --> 00:09:29,267
PERSONAL.

141
00:09:29,336 --> 00:09:31,603
BEEN A WHILE.

142
00:09:32,972 --> 00:09:35,806
WHAT GIVES? WHAT'S WITH YOU TWO?

143
00:09:35,875 --> 00:09:40,211
<i>I'D LIKE TO VOICE A COMPLAINT AGAINST THIS
OFFICER'S VICIOUS ANTI-SEMITIC REMARKS!</i>

144
00:09:40,280 --> 00:09:42,280
IN A MINUTE, SIR. LUDWIG?

145
00:09:44,351 --> 00:09:46,851
THIS.

146
00:09:46,919 --> 00:09:50,054
HE OWES ME ONE FOR
BACK AT THE ACADEMY.

147
00:09:50,123 --> 00:09:53,824
<i>NO ONE BELIEVED ME WHEN I TOLD
'EM THE LITTLE SCUM BIT MY FINGER OFF.</i>

148
00:09:53,893 --> 00:09:57,828
STOP IT. COME ON. COME ON.
ALL RIGHT, LUDWIG. ALL RIGHT.

149
00:10:02,469 --> 00:10:05,470
I'LL DO THE BEST I
CAN, LIEUTENANT.

150
00:10:06,606 --> 00:10:08,673
THAT'S ALL I CAN PROMISE.

151
00:10:08,742 --> 00:10:12,142
YOU FIND A PEACEFUL SOLUTION,
MICK, OR ELSE. <i>YEAH, HILL STREET.</i>

152
00:10:13,747 --> 00:10:16,514
I SAID I'LL TRY. <i>JUST A
SECOND. LIEUTENANT?</i>

153
00:10:16,583 --> 00:10:19,384
IT'S THE CAPTAIN. LINE THREE.

154
00:10:24,557 --> 00:10:27,158
GO AHEAD, FRANK.

155
00:10:27,226 --> 00:10:29,226
FRANK?

156
00:10:29,296 --> 00:10:31,296
FRANK.

157
00:10:33,300 --> 00:10:35,232
WHERE THE HELL IS MARV?

158
00:10:35,302 --> 00:10:37,702
NOTHING WORKS IN THIS PLACE.

159
00:10:37,771 --> 00:10:40,104
NO FURNACE, NO
PHONE, NO NOTHING!

160
00:10:40,173 --> 00:10:43,675
I'LL GET HIM,
OKAY? I'LL GET HIM.

161
00:10:47,213 --> 00:10:49,390
THEY'RE RAISIN' HELL
UPSTAIRS, MARV. THERE'S

162
00:10:49,414 --> 00:10:51,716
ONLY TWO PHONES WORKIN'
IN THE ENTIRE JOINT...

163
00:10:51,785 --> 00:10:54,285
FOR CRYIN' OUT LOUD.
MARV, ARE YOU SLEEPING?

164
00:11:03,062 --> 00:11:05,062
REAL CUTE, MARV.

165
00:11:06,299 --> 00:11:09,133
WANT TO STOP SCREWIN' AROUND?

166
00:11:11,003 --> 00:11:13,003
MARV...

167
00:11:17,577 --> 00:11:19,577
OH, MY...

168
00:11:36,028 --> 00:11:38,028
HOW YA DOIN', ABE?

169
00:11:41,067 --> 00:11:43,167
HELLO, EMIL. FRANK.

170
00:11:43,236 --> 00:11:45,236
HE'S IN ROOM "D," CAPTAIN.

171
00:11:47,374 --> 00:11:50,708
<i>WOULD THE DEPUTY ASSISTANT
TO D.A. KILEY'S OFFICE...</i>

172
00:11:50,777 --> 00:11:54,645
<i>PLEASE PICK UP A MESSAGE
AT THE FRONT DESK?</i>

173
00:11:54,714 --> 00:11:57,448
CAN YOU GIVE ME A LITTLE
HINT WHAT'S GOING ON HERE?

174
00:11:57,517 --> 00:11:59,595
ALL I KNOW IS THE PUBLIC
DEFENDER SAID URGENT.

175
00:11:59,619 --> 00:12:01,552
URGENT, HUH?

176
00:12:01,621 --> 00:12:05,322
WELL, IN CASE YOU HADN'T HEARD, THEY'VE
KICKED THIS NEMO RODRIGUEZ THING UPSTAIRS.

177
00:12:05,392 --> 00:12:07,392
YOU KNOW WHO'S IN
THERE WITH HIM NOW?

178
00:12:07,460 --> 00:12:09,894
THE FEMALE
BARRACUDA... DAVENPORT.

179
00:12:09,962 --> 00:12:13,063
<i>NOW I WOULDN'T LIE TO YOU,
FRANK, BUT I'M BLAMING YOU...</i>

180
00:12:13,132 --> 00:12:15,110
FOR THIS SCREWING
AROUND WASTING OF MY TIME.

181
00:12:15,134 --> 00:12:17,895
AND I'M TELLIN' YOU SOMETHING ELSE,
KID, YOU WOULD NEVER HAVE DONE IT,

182
00:12:17,937 --> 00:12:19,871
IF YOU HADN'T BEEN
HUMPING FOR COMMANDER.

183
00:12:21,441 --> 00:12:23,441
OH, WELL.

184
00:12:24,711 --> 00:12:27,512
POLITICS IS POLITICS, HMM?

185
00:12:29,682 --> 00:12:33,818
I JUST HATE TO SEE A GOOD
GUY SINKIN' IN THAT SWAMP.

186
00:12:46,866 --> 00:12:48,844
<i>WELL, I DIDN'T HAVE
NOTHIN' AT THE HOUSE...</i>

187
00:12:48,868 --> 00:12:51,647
<i>SO I WENT OVER TO THIS AFTER-HOURS
PLACE TO GO PICK UP A BOTTLE, RIGHT?</i>

188
00:12:51,671 --> 00:12:55,272
OKAY. I COME BACK
MAYBE 20 MINUTES LATER,

189
00:12:55,341 --> 00:12:57,842
AND I'M ON THE STAIRS
WHEN I HEAR THE GUN GO OFF.

190
00:12:57,911 --> 00:12:59,844
I HEAR A CRASH TOO,

191
00:12:59,913 --> 00:13:03,392
<i>AND THEN THIS GUY COMES TEARING
OUT THE DOOR AND DOWN THE STAIRS.</i>

192
00:13:03,416 --> 00:13:07,151
BAM! THROWS ME AGAINST THE WALL
SO I DON'T HAVE NO CHANCE TO GRAB HIM.

193
00:13:07,219 --> 00:13:09,339
I MEAN, I DIDN'T HAVE NO
CHANCE AT ALL, RIGHT?

194
00:13:09,388 --> 00:13:11,388
<i>BUT IT WAS HIM, MAN.</i>

195
00:13:11,458 --> 00:13:13,791
<i>SEE, NO DOUBT ABOUT THAT,
BECAUSE I MET HIM ONE TIME...</i>

196
00:13:13,860 --> 00:13:16,861
WHEN I WENT OVER TO GO SEE
ROSE IN A PLACE HE SET HER UP IN.

197
00:13:16,930 --> 00:13:20,264
<i>TELL THE CAPTAIN AND
LIEUTENANT THE MAN'S NAME.</i>

198
00:13:22,401 --> 00:13:25,636
IT WAS McAURLEY,
THE COUNCILMAN GUY.

199
00:13:30,743 --> 00:13:32,677
DON'T DO THIS, KID.

200
00:13:32,745 --> 00:13:37,281
<i>YOU GOT A GREAT
IMAGINATION, BUT...</i>

201
00:13:37,350 --> 00:13:39,310
HIS PRINTS ARE ALL OVER
THE MURDER WEAPON.

202
00:13:39,352 --> 00:13:41,986
HE'S TOLD US TWO
COCK-AND-BULL STORIES ALREADY.

203
00:13:42,054 --> 00:13:44,689
<i>HE'S A VERY CREATIVE KID.</i>

204
00:13:44,757 --> 00:13:47,424
<i>COUNCILMAN McAURLEY.</i>

205
00:13:50,463 --> 00:13:52,463
WHAT'S THIS?

206
00:13:54,200 --> 00:13:56,200
IT'S THE APARTMENT ADDRESS.

207
00:13:56,268 --> 00:13:59,436
<i>I WOULDN'T THINK IT TOO
DIFFICULT TO ASCERTAIN...</i>

208
00:13:59,506 --> 00:14:02,306
<i>IF THE VICTIM WAS
BEING KEPT AND BY WHOM.</i>

209
00:14:03,409 --> 00:14:06,744
I'D LIKE IT SEARCHED
AS SOON AS POSSIBLE.

210
00:14:09,448 --> 00:14:12,082
I THINK THAT'S A
REASONABLE REQUEST.

211
00:14:21,060 --> 00:14:23,694
<i>I CALLED HIS OFFICE. HE'S
BEEN IN AND OUT ALL MORNING.</i>

212
00:14:23,763 --> 00:14:25,808
THOUGHT I'D STOP BY
ON THE WAY UPTOWN.

213
00:14:25,832 --> 00:14:28,666
LOOK, FRANK, I KNOW HOW TIGHT
McAURLEY IS WITH THE DEPARTMENT,

214
00:14:28,735 --> 00:14:30,735
AND IF SCHNEIDER
WON'T TALK TO HIM,

215
00:14:30,803 --> 00:14:33,203
I'LL JUST HAVE THE
D.A. SUBPOENA HIM.

216
00:14:33,272 --> 00:14:35,584
NOW WAIT A MINUTE. WHAT IF
HE HAS NOTHING TO DO WITH IT?

217
00:14:35,608 --> 00:14:37,887
YOU KNOW AS WELL AS I DO IT'S
GONNA BE ALL OVER THE NEWS.

218
00:14:37,911 --> 00:14:41,679
BESIDES THAT, SCHNEIDER HAS A POINT.
THE KID HASN'T TOLD THE SAME STORY TWICE.

219
00:14:41,748 --> 00:14:44,682
DO YOU BELIEVE HIM?
I DON'T KNOW YET.

220
00:14:45,852 --> 00:14:49,020
FRANK, I WANT TO SEE
YOU MAKE COMMANDER,

221
00:14:49,088 --> 00:14:52,356
AND FOR MORE REASONS THAN
JUST THE SHAPE OF YOUR NOSE.

222
00:14:53,426 --> 00:14:55,793
YOU LET ME WORRY
ABOUT THAT, OKAY?

223
00:14:55,862 --> 00:15:00,230
I THINK WE'RE ASKING FOR IT IF WE DON'T
GIVE IT A REST UNTIL THIS THING IS OVER.

224
00:15:00,299 --> 00:15:04,101
AND DON'T DO THAT. AND
DON'T GIVE ME AN ARGUMENT.

225
00:15:04,170 --> 00:15:09,540
ALL WE NEED IS A RUMOR OF COLLUSION
BETWEEN THE P.D.'s OFFICE AND YOU.

226
00:15:13,279 --> 00:15:16,681
LET ME HAVE SKIP FITZGERALD SUBPOENA
THE COUNCILMAN AND GET IT OVER WITH.

227
00:15:16,749 --> 00:15:19,327
NO, NO, NO. HOLD OFF ON
THAT. I NEED A LITTLE MORE TIME.

228
00:15:19,351 --> 00:15:21,619
AND I'LL SEE YOU LATER.

229
00:15:22,689 --> 00:15:24,755
FRANK, YOU'RE NOT
LISTENING TO ME.

230
00:15:24,824 --> 00:15:26,757
I'M MAKING GOOD SENSE.

231
00:15:26,826 --> 00:15:29,293
YOU'RE SERIOUS?

232
00:15:35,367 --> 00:15:37,969
JOYCE?

233
00:15:45,611 --> 00:15:49,447
WHAT WAS MARV, MAYBE 38, 40?

234
00:15:49,516 --> 00:15:52,116
MORE LIKE 32.

235
00:15:53,486 --> 00:15:58,155
SEE, I KNEW HE WASN'T FEELING
SO HOT, BUT... WHO KNEW?

236
00:15:58,224 --> 00:16:01,192
WELL, WHEN THE ICY
HAND OF DARKNESS...

237
00:16:01,260 --> 00:16:04,061
DECIDES TO EXPUNGE
THE FLAME OF LIFE,

238
00:16:04,130 --> 00:16:06,063
NONE OF US IS IMMUNE...

239
00:16:06,132 --> 00:16:08,766
NOT EVEN ONE SO YOUNG
AND GIFTED AS MARV.

240
00:16:08,835 --> 00:16:10,968
OH, MAN. I WAS DEPRESSED
ENOUGH ALREADY.

241
00:16:11,037 --> 00:16:13,103
TELL HIM TO COOL
IT, WILL YOU, NEAL?

242
00:16:13,172 --> 00:16:15,673
THE MAN'S RIGHT
ON THE MARK, BABE.

243
00:16:15,742 --> 00:16:18,609
LIFE, DEATH, ETERNITY,

244
00:16:18,678 --> 00:16:20,812
ET CETERA.

245
00:16:20,880 --> 00:16:22,814
MARV.

246
00:16:22,882 --> 00:16:26,250
MARV. MARV.

247
00:16:26,319 --> 00:16:29,387
GREATEST PHONE MAN
THIS DEPARTMENT EVER HAD.

248
00:16:29,456 --> 00:16:31,656
FASTEST CABLE
LAYER IN THE BUSINESS.

249
00:16:31,725 --> 00:16:34,124
MARV... MARV... GUY HAD
THE HANDS OF A SURGEON.

250
00:16:34,193 --> 00:16:37,194
<i>STRANGE. I CAN'T SEEM
TO RECALL HIS LAST NAME.</i>

251
00:16:37,263 --> 00:16:39,930
<i>MARV...</i> MARV, UH...

252
00:16:39,999 --> 00:16:43,334
UH... MARV... NO, WAIT A MINUTE.

253
00:16:43,403 --> 00:16:45,570
GUY'S NAME WAS CARPENTER
OR SOMETHING LIKE THAT.

254
00:16:45,638 --> 00:16:48,038
CARPENTER. NO. NO, NO, NO.

255
00:16:48,107 --> 00:16:50,419
WOOD? MAYBE IT WAS WOOD? <i>THORPE.</i>

256
00:16:50,443 --> 00:16:54,512
YEAH, MARV THORPE. NO, IT
WAS MORE FISHLIKE SOUNDING,

257
00:16:54,581 --> 00:16:58,349
- LIKE, UH, MARV...
- TROUT. <i>NO.</i>

258
00:16:58,418 --> 00:17:00,585
<i>MARV, UH... MARV CLARK.</i>

259
00:17:02,722 --> 00:17:04,655
<i>THEY'RE COMIN' UP.</i>

260
00:17:06,058 --> 00:17:08,693
OH, MAN.

261
00:17:08,762 --> 00:17:11,161
MAN.

262
00:17:11,230 --> 00:17:13,731
A LITTLE TOO STIFF TO
GET IN THE BODY BAG.

263
00:17:13,800 --> 00:17:17,869
OH, I, UH, NEED HIS FULL I.D.
ON THIS 1050 FORM, PLEASE.

264
00:17:17,937 --> 00:17:21,606
PHIL, I KNOW MARV WOULD
WANT YOU TO DO IT. ALL RIGHT.

265
00:17:21,674 --> 00:17:25,075
I GUESS I'LL HAVE TO ADMIT THAT WE'RE
CONFRONTING A MINOR EMBARRASSMENT HERE.

266
00:17:25,144 --> 00:17:27,144
YOU SEE...

267
00:17:28,415 --> 00:17:31,248
JUDAS H. PRIEST.

268
00:17:31,317 --> 00:17:34,819
- THAT'S MARV BOX.
<i>- OH, BOX. THAT'S IT.</i>

269
00:17:34,888 --> 00:17:37,032
BOX. -<i> I KNEW THAT.</i>

270
00:17:37,056 --> 00:17:39,557
I KNEW IT WAS
SOMETHING LIKE THAT.

271
00:17:39,626 --> 00:17:42,293
RIGOR MORTIS. HE MUST'VE
BOUGHT IT HOURS AGO.

272
00:17:42,361 --> 00:17:44,407
I DON'T THINK HE BOUGHT
ANYTHING, LIEUTENANT.

273
00:17:44,431 --> 00:17:46,551
HE JUST WENT...

274
00:17:49,035 --> 00:17:52,603
<i>WE CONSOLE OURSELVES THAT
HE DIED WITH HIS BOOTS ON...</i>

275
00:17:52,672 --> 00:17:56,741
<i>DRILL RAMPANT IN
THE CAUSE OF DUTY,</i>

276
00:17:56,810 --> 00:17:58,876
HONOR,

277
00:17:58,945 --> 00:18:00,878
COUNTRY.

278
00:18:02,148 --> 00:18:04,081
GOOD-BYE, OLD FRIEND.

279
00:18:04,150 --> 00:18:06,128
AMEN. AMEN.

280
00:18:06,152 --> 00:18:08,419
OH, MAN.

281
00:18:08,488 --> 00:18:12,256
<i>I WANT SOMEONE ON THE PHONE
FROM NOW UNTIL WE PIN HIM DOWN.</i>

282
00:18:12,325 --> 00:18:14,826
McAURLEY'S OFFICE,
McAURLEY'S PHONE,

283
00:18:14,894 --> 00:18:16,854
THE COUNCIL
CHAMBERS... THE WORKS.

284
00:18:16,896 --> 00:18:20,230
OH, AND HENRY
GOLDBLUME. HERE, FRANK.

285
00:18:21,534 --> 00:18:23,468
WHAT'S GOING ON?

286
00:18:23,536 --> 00:18:28,072
WELL, FRANCIS, WHILE YOU
WERE DOWNTOWN, WE LOST A MAN.

287
00:18:28,140 --> 00:18:29,941
MARV.

288
00:18:30,009 --> 00:18:32,577
MARV? MARV BOX?

289
00:18:32,645 --> 00:18:36,848
<i>HE'S DEAD? HOW? WHAT HAPPENED?</i>

290
00:18:36,916 --> 00:18:39,650
WELL, IT'S STILL UNKNOWN
AT THIS POINT IN TIME.

291
00:18:39,719 --> 00:18:42,419
HAD TO BE EITHER HEART OR BRAIN.

292
00:18:42,489 --> 00:18:44,455
MAYBE HIS STOMACH.

293
00:18:44,524 --> 00:18:47,458
NO, I DON'T THINK STOMACH,
RAY. NOT DIRECTLY ANYWAY.

294
00:18:47,527 --> 00:18:50,962
STOMACH BY ME INCLUDES
KIDNEYS AND LIVER.

295
00:18:51,030 --> 00:18:53,097
- I DON'T THINK SO.
- WELL, I DO.

296
00:18:53,165 --> 00:18:56,501
HE WAS 32 YEARS OLD, TOPS.

297
00:19:02,074 --> 00:19:04,742
PULL HIS FILE, WILL YA, PHIL?

298
00:19:04,811 --> 00:19:07,845
I BETTER CALL HIS WIFE. <i>OH,
WE GOT IT RIGHT HERE, FRANCIS.</i>

299
00:19:07,914 --> 00:19:11,382
WE'VE GONE THROUGH IT, AND ACCORDING
TO WHAT WE'VE GOT HERE, HE WASN'T MARRIED,

300
00:19:11,450 --> 00:19:14,719
NOR IS THERE ANY NEXT OF
KIN... NO ONE... NOT A SOUL.

301
00:19:15,889 --> 00:19:18,823
HE WALKED AMONG US A STRANGER.

302
00:19:22,294 --> 00:19:24,228
UH, EXCUSE ME, GUYS.

303
00:19:25,398 --> 00:19:29,199
HEY, IN LIGHT OF WHAT'S
HAPPENED HERE TODAY,

304
00:19:29,268 --> 00:19:32,214
HAS ANYONE GIVEN ANY MORE
THOUGHT TO MY INVESTMENT?

305
00:19:32,238 --> 00:19:34,216
IT'S AN ANNUITY FOR
OUR LOVED ONES,

306
00:19:34,240 --> 00:19:36,240
AND IT'S STILL A THOUSAND
BUCKS A SHARE TO FRIENDS.

307
00:19:40,212 --> 00:19:43,814
UH, MAYBE I OUGHT TO
TALK TO RACHEL AGAIN.

308
00:19:45,418 --> 00:19:49,186
YEAH, MAYBE I'LL, UH,
GIVE GRACE A CALL, HUH?

309
00:19:49,255 --> 00:19:52,056
AND CINDY, NATURALLY.

310
00:19:58,297 --> 00:20:00,230
FOR A THOUSAND, WHY NOT?

311
00:20:03,169 --> 00:20:05,603
THINK OF IT, RAY... MARV...

312
00:20:05,672 --> 00:20:07,705
<i>THE SALOONDROMAT.</i>

313
00:20:07,774 --> 00:20:10,374
THERE'S A MEANINGFUL
TIE-IN THERE.

314
00:20:15,915 --> 00:20:18,749
CONDOLENCES, FRANK.
<i>THANK YOU, HOWARD.</i>

315
00:20:18,818 --> 00:20:20,718
WHAT CAN I DO FOR YOU, HOWARD?

316
00:20:20,787 --> 00:20:23,955
A LITTLE EDGY, FRANK. UH...

317
00:20:24,023 --> 00:20:28,626
WELL, IT'S NOT EVERY DAY THAT YOU LOSE A
GOOD SOLDIER, BUT, UH, THE WAR GOES ON.

318
00:20:28,695 --> 00:20:30,628
DO YOU MIND?

319
00:20:30,697 --> 00:20:34,164
<i>I HAVE A LITTLE
GOODY HERE,</i> MON AMI,

320
00:20:34,233 --> 00:20:36,834
THAT IS GONNA ROTATE
YOUR DAY 180 DEGREES...

321
00:20:36,903 --> 00:20:40,404
AND LEAVE YOU WALKING AWAY FROM THAT
DESK SMELLING LIKE A NEW BICYCLE SEAT.

322
00:20:40,473 --> 00:20:44,475
I'M NOT SURE I WANT TO WALK
AWAY FROM THIS DESK YET, HOWARD.

323
00:20:44,543 --> 00:20:48,846
NONSENSE, FRANK. YOU HAVE CROSSED THE
LINE OF DEPARTURE. IT'S LOCK-AND-LOAD TIME.

324
00:20:48,915 --> 00:20:51,794
THAT LITTLE HEIMLICH YOU DID ON
THE CHIEF THIS MORNING SAW TO THAT.

325
00:20:51,818 --> 00:20:53,918
OH, COME ON, HOWARD. I
JUST HAPPENED TO BE THERE.

326
00:20:53,987 --> 00:20:55,920
<i>THAT'S MY POINT EXACTLY.</i>

327
00:20:55,989 --> 00:20:58,255
IT IS KISMET.

328
00:20:58,324 --> 00:21:03,961
OLD ED CHAPEL WOULD SUCK BROWN FLOSS
FOR A YEAR TO MAKE THOSE KIND OF POINTS.

329
00:21:04,030 --> 00:21:07,531
<i>SO LET'S... LET'S PUT
THE ICING ON THE PUCK.</i>

330
00:21:15,008 --> 00:21:17,474
I'M AFRAID TO ASK.

331
00:21:17,543 --> 00:21:21,411
IT'S A PERSONNEL ARMORED
N-SERIES DEFENSE ATTACK VEHICLE.

332
00:21:21,480 --> 00:21:24,148
ACRONYM... PANDA.

333
00:21:24,216 --> 00:21:26,261
IT'S MADE BY NISHITSU
CORPORATION, FRANK,

334
00:21:26,285 --> 00:21:29,620
AND THE ONE WE'VE GOTTEN... IT HAS
BEEN MODIFIED FOR URBAN WARFARE.

335
00:21:29,689 --> 00:21:31,622
THAT'S... WAIT A MINUTE.

336
00:21:34,060 --> 00:21:36,627
WE'RE GETTING ONE OF THESE?

337
00:21:36,696 --> 00:21:39,096
WHAT THE HELL FOR, HOWARD?

338
00:21:41,067 --> 00:21:43,801
FOR SNIPER ALLEY, FRANK.

339
00:21:43,870 --> 00:21:45,803
NO, NO, NO, NO.

340
00:21:45,872 --> 00:21:48,272
NO, HOWARD. NO TANKS!

341
00:21:48,340 --> 00:21:51,942
WE'RE NEGOTIATING PEACE WITH THOSE
PEOPLE, AND WE'RE MAKING INROADS.

342
00:21:52,011 --> 00:21:55,212
YOU CAN'T MAKE INROADS
WITH THIRD-WORLD BABOONS.

343
00:21:55,281 --> 00:21:57,163
BESIDES, IT'S A FAIT
ACCOMPLI. THE CHIEF

344
00:21:57,187 --> 00:21:59,283
HAS ALREADY PUT HIS
STAMP OF APPROVAL ON IT.

345
00:21:59,351 --> 00:22:02,286
IN WRITING? CHECK.

346
00:22:02,354 --> 00:22:04,354
CHECK, HUH?

347
00:22:05,524 --> 00:22:07,858
WE'LL SEE ABOUT THAT.

348
00:22:07,927 --> 00:22:10,527
RAY, CAN...

349
00:22:10,596 --> 00:22:13,330
YOU NEED ME, FRANK? HERE I AM.

350
00:22:13,399 --> 00:22:17,768
WOULD YOU COME IN HERE,
PLEASE? SURE, FRANK. ABSOLUTELY.

351
00:22:17,837 --> 00:22:19,904
HOWARD. COMMANDER. UH...

352
00:22:19,972 --> 00:22:23,152
FRANK, COULD YOU CLOSE THE
DOOR AND PULL THE SHADES?

353
00:22:23,176 --> 00:22:26,243
WE ARE STANDING HERE IN
THE BUFF, SECURITY-WISE.

354
00:22:26,312 --> 00:22:28,645
WELL, LET'S JUST TAKE
A CHANCE, HOWARD.

355
00:22:28,715 --> 00:22:30,881
JUDAS H...

356
00:22:30,950 --> 00:22:33,784
WHAT DO YOU KNOW ABOUT THIS?

357
00:22:33,853 --> 00:22:36,520
JUST A LITTLE NEW
TECHNOLOGY, FRANK.

358
00:22:36,589 --> 00:22:39,690
YOU KNOW THE CHIEF'S
APPETITE FOR, UH, HARDWARE.

359
00:22:40,893 --> 00:22:43,160
YEAH, WELL, IF THE
CHIEF LIKES IT SO MUCH,

360
00:22:43,229 --> 00:22:45,162
WHY DOESN'T HE
TAKE IT HOME WITH HIM?

361
00:22:45,231 --> 00:22:47,231
I WON'T HAVE IT IN MY PRECINCT.

362
00:22:47,299 --> 00:22:50,167
LET'S NOT GO OFF
THE DEEP END, FRANK.

363
00:22:50,236 --> 00:22:53,070
JUST A SUBJECT FOR STUDY.

364
00:22:53,139 --> 00:22:55,472
WE'LL FIELD-TEST IT AND
SEE WHERE IT TAKES US.

365
00:22:55,541 --> 00:22:59,543
WE'RE NOT TESTING IT IN MY PRECINCT,
DAVE... NOT AS LONG AS I'M CAPTAIN.

366
00:22:59,612 --> 00:23:01,656
VERY IMPRESSIVE,
HOWARD. THANK YOU.

367
00:23:01,680 --> 00:23:05,549
I APPRECIATE YOUR MISGIVINGS,
FRANK. DON'T THINK I DON'T.

368
00:23:05,618 --> 00:23:08,285
HOWARD, WOULD YOU, UH...

369
00:23:08,354 --> 00:23:11,021
OH! OH. YEAH, SURE.

370
00:23:14,593 --> 00:23:16,593
CIAO, FRANK.

371
00:23:19,365 --> 00:23:21,565
FURNACE STILL ON THE FRITZ, HUH?

372
00:23:21,600 --> 00:23:23,868
IT'S... BRISK IN HERE.

373
00:23:23,936 --> 00:23:26,203
WHAT'S ON YOUR MIND, DAVE?

374
00:23:26,272 --> 00:23:28,205
YOU.

375
00:23:28,274 --> 00:23:30,574
WHAT HAVE YOU GOT AGAINST
COUNCILMAN TOM McAURLEY?

376
00:23:30,643 --> 00:23:33,377
NOT A THING.

377
00:23:33,445 --> 00:23:35,579
BUT A MURDER SUSPECT
HAS IMPLICATED HIM,

378
00:23:35,648 --> 00:23:38,649
AND I THOUGHT I WOULD LOOK
INTO IT BEFORE THE PRESS DOES.

379
00:23:38,717 --> 00:23:41,618
LET EMIL SCHNEIDER DO IT.

380
00:23:41,687 --> 00:23:45,422
FRANK, DO YOU WANT
THAT COMMANDERSHIP?

381
00:23:45,491 --> 00:23:47,858
HUH?

382
00:23:47,927 --> 00:23:49,927
I DON'T KNOW.

383
00:23:49,996 --> 00:23:51,996
WHAT ARE YOU AFRAID OF?

384
00:23:52,064 --> 00:23:55,166
THAT THIS PRECINCT CAN'T
SURVIVE WITHOUT YOU?

385
00:23:55,234 --> 00:23:57,168
OR ARE YOU AFRAID IT CAN?

386
00:23:57,236 --> 00:24:02,572
I'VE GOT A MURDER VICTIM WHO
WAS A VETERAN PROSTITUTE AT AGE 15.

387
00:24:02,641 --> 00:24:06,443
SHE DIDN'T LAND IN
EITHER PLACE BY HERSELF.

388
00:24:06,512 --> 00:24:09,313
DON'T PREACH AT ME,
FRANK. WHO'S INVOLVED HERE?

389
00:24:09,381 --> 00:24:11,315
WHO'S SCHNEIDER COVERING FOR?

390
00:24:11,383 --> 00:24:14,118
THAT'S RECKLESS TALK,
FRANK, AND IT'S NOT LIKE YOU.

391
00:24:14,187 --> 00:24:17,021
SCHNEIDER'S DOING THE
SAME JOB HE ALWAYS DOES.

392
00:24:20,359 --> 00:24:23,861
DO ME A FAVOR.
TRUST ME ON THIS ONE.

393
00:24:23,930 --> 00:24:27,031
LET HOMICIDE HANDLE IT.

394
00:24:37,643 --> 00:24:40,945
<i>BETWEEN WHAT I GOT IN PLEDGES
AND THE CASH AND THE CHECKS HERE,</i>

395
00:24:41,013 --> 00:24:44,114
A GRAND FROM YOU IS GONNA
PUT US OVER THE TOP. UH-UH.

396
00:24:44,183 --> 00:24:47,751
<i>I GOT 3,200 IN YOUR MARKERS ALREADY,
BABE. I'M NOT ASKING YOU FOR A LOAN.</i>

397
00:24:47,820 --> 00:24:50,532
- <i>I'M TRYING TO GIVE YOU</i>
<i>A SHOT AT THE BRASS RING.</i>
- YEAH, SURE.

398
00:24:50,556 --> 00:24:52,667
WHAT ARE WE STOPPING
FOR? GUY BACK THERE...

399
00:24:52,691 --> 00:24:54,903
HE'S SELLIN' CIGARETTES
OUT THE BACK OF HIS CAR.

400
00:24:54,927 --> 00:24:57,728
COME ON, MAN. THE DUDE'S
DOING A LITTLE BUSINESS. SO WHAT?

401
00:24:57,796 --> 00:25:00,108
LOOK, I'VE GOT THE REAL
ESTATE GUY WAITIN' ON ME.

402
00:25:00,132 --> 00:25:02,967
I'VE GOT GOLDBLUME
WAITIN' ON ME. UH-UH-UH.

403
00:25:04,971 --> 00:25:07,637
<i>HEY, HEY, HO. WHAT
YA SMOKIN', BRO?</i>

404
00:25:07,706 --> 00:25:10,352
HEY, WHAT YOU GOT HERE, MAN? <i>I
CAN GIVE YOU A REAL GOOD PRICE.</i>

405
00:25:10,376 --> 00:25:13,810
YEAH, UH, YOU GOT ANY
MONEY ON YOU, MAN?

406
00:25:13,880 --> 00:25:16,680
OH, MAN. WHY DO I ALWAYS
HAVE TO GO IN MY WALLET, HUH?

407
00:25:19,986 --> 00:25:23,921
OH, NO.

408
00:25:25,892 --> 00:25:27,824
OH, DAMN.

409
00:25:27,894 --> 00:25:29,826
OH, AND I JUST DROVE
UP FROM KENTUCKY.

410
00:25:29,896 --> 00:25:32,863
IS THAT RIGHT?

411
00:25:32,932 --> 00:25:36,733
OKAY, YA GOT ME. COME ON. IF WE TAKE
THIS GUY IN, I'M GONNA BLOW MY MEETING.

412
00:25:36,802 --> 00:25:40,837
HEY, LOOK, MAN. IT'S TOO
BLATANT, J.D. IT'S INSULTIN', MAN.

413
00:25:44,443 --> 00:25:46,977
ALL RIGHT, WHO STOLE MY BLANKET?

414
00:25:47,046 --> 00:25:49,046
I'M TIRED OF IT.

415
00:26:17,810 --> 00:26:19,810
WHAT DO YOU THINK?

416
00:26:24,016 --> 00:26:26,016
NICE.

417
00:26:30,656 --> 00:26:33,924
THIS IS IT, HENRY...
SALOONDROMAT.

418
00:26:33,993 --> 00:26:36,438
NOW LOOK, THE BAR... IT'S
GONNA BE JUST LIKE IT IS NOW.

419
00:26:36,462 --> 00:26:39,107
IT'S GONNA RUN THE WHOLE
LENGTH OF THE ROOM, HUH?

420
00:26:39,131 --> 00:26:42,177
BUT WE'RE GONNA EXTEND IT OUT THERE
INTO THE BACK AND ALL THE WAY OVER.

421
00:26:42,201 --> 00:26:46,003
STYLISH! YOU KNOW, YOU
GOT VISION. YOU GOT VISION.

422
00:26:48,040 --> 00:26:50,107
SEE THIS AREA RIGHT
OVER HERE, HUH?

423
00:26:50,176 --> 00:26:53,978
THIS WHOLE AREA IS GONNA BE THE
MACHINES... THE WASHERS, THE DRYERS...

424
00:26:54,046 --> 00:26:57,881
BUT WE'RE GOING TO FIX IT UP SO THEY
DON'T, LIKE, STICK OUT ALL OVER THE PLACE.

425
00:26:57,950 --> 00:27:00,117
YOU KNOW WHAT I
MEAN? IT'S REALLY TACKY.

426
00:27:00,186 --> 00:27:02,353
KIND OF LIKE COVER THEM
AND HAVE TV SCREENS...

427
00:27:02,421 --> 00:27:06,023
TV SCREENS, RIGHT? FROM OVER THERE
AT THE BAR YOU WATCH YOUR WASH!

428
00:27:07,426 --> 00:27:09,360
WATCH YOUR WASH? YEAH.

429
00:27:09,428 --> 00:27:11,428
WATCH YOUR WASH.

430
00:27:11,497 --> 00:27:13,763
I LIKE IT.

431
00:27:15,334 --> 00:27:17,634
<i>MILLIONS, HENRY. MILLIONS.</i>

432
00:27:17,703 --> 00:27:20,823
MR. CALABRESE, ONE
MINUTE, ALL RIGHT? ALL RIGHT.

433
00:27:22,041 --> 00:27:23,974
NEAL... NO.

434
00:27:24,043 --> 00:27:27,123
LOOK. LOOK, I GOT THE GUY
DOWN AS LOW AS HE'S GONNA GO.

435
00:27:27,179 --> 00:27:29,813
HE'LL EVEN THROW IN A YEAR
FULL OF FREE BEER COASTERS.

436
00:27:29,882 --> 00:27:32,260
WHAT DO YOU SAY?
HEY, HEY, HEY. J.D., MAN...

437
00:27:32,284 --> 00:27:35,486
AH, LOOK, I'LL PAY YOU
BACK FIRST. I SWEAR IT.

438
00:27:35,554 --> 00:27:38,622
I GOT SOMETHING
HERE, MAN. I KNOW I DO.

439
00:27:40,493 --> 00:27:43,093
WHAT ARE WE WITHOUT A DREAM?

440
00:27:43,162 --> 00:27:46,763
THINK OF MARV. WANT
TO END UP LIKE THAT?

441
00:27:46,832 --> 00:27:49,766
WE'RE ALL GONNA
END UP LIKE MARV.

442
00:27:49,835 --> 00:27:54,871
NOT TILL WE'RE 80, RIDIN' TWO
CHICKS SIDESADDLE IN A BASKET CHAIR.

443
00:27:54,940 --> 00:27:59,076
ALL THAT FROM A LITTLE
OLD SALOONDROMAT, MAN?

444
00:27:59,145 --> 00:28:03,880
FROM, UH, LITTLE ACORNS
MIGHTY CORPORATIONS GROW.

445
00:28:03,949 --> 00:28:06,353
LOOK AT THE PHONE
COMPANY, MAN. THEY STARTED

446
00:28:06,377 --> 00:28:08,419
OUT WITH A STRING
AND TWO DIXIE CUPS.

447
00:28:15,594 --> 00:28:18,429
AH, WHAT THE HELL.

448
00:28:18,497 --> 00:28:21,031
A LITTLE UPWARD MOBILITY
NEVER HURT NOBODY.

449
00:28:21,100 --> 00:28:24,501
WHOO! I GOT IT!

450
00:28:24,570 --> 00:28:28,004
WHEW. OH, MAN.

451
00:28:32,845 --> 00:28:38,048
<i>OH, I DON'T KNOW, GRACE.
LIFE IS SO MOMENTARY.</i>

452
00:28:38,116 --> 00:28:40,517
I'M ALL OF A SUDDEN
SAYING TO MYSELF,

453
00:28:40,586 --> 00:28:45,355
"PHIL ESTERHAUS, DON'T LET
THE IMPORTANT THINGS SLIDE."

454
00:28:47,192 --> 00:28:50,093
I KNOW EXACTLY
WHAT YOU MEAN, PHIL.

455
00:28:50,162 --> 00:28:52,563
YOU KNOW, IN THAT SENSE,

456
00:28:52,631 --> 00:28:54,565
SAM'S DEATH...

457
00:28:54,633 --> 00:28:57,034
WAS THE BEST THING THAT
EVER HAPPENED TO ME.

458
00:28:57,102 --> 00:28:59,269
HMM.

459
00:28:59,337 --> 00:29:01,725
IN LIGHT OF WHICH, I'VE
BEEN THINKING ABOUT

460
00:29:01,749 --> 00:29:04,441
THAT LONG WEEKEND THAT
WE'VE BEEN TALKING ABOUT.

461
00:29:04,509 --> 00:29:06,977
OH, PHIL.

462
00:29:07,046 --> 00:29:10,981
YOU MEAN LAS CASITAS GARDEN
OF EDEN RETREAT IN MEXICO?

463
00:29:11,050 --> 00:29:14,330
WELL, WHY WAIT? WE HAVE
EACH OTHER. WE HAVE NOW.

464
00:29:15,454 --> 00:29:18,288
WHAT IS THE FUTURE, REALLY?

465
00:29:18,356 --> 00:29:21,391
A THROW OF THE DICE.

466
00:29:21,460 --> 00:29:23,994
AND YOU'RE NOT WORRIED
IT'S A NATURALIST RETREAT?

467
00:29:24,063 --> 00:29:27,731
WELL, GIVEN THE AMBIENT
TEMPERATURE INDOORS AND OUT,

468
00:29:27,800 --> 00:29:31,301
MY MAIN THRUST IS WARM SUNSHINE,

469
00:29:31,369 --> 00:29:34,838
SOFT BREEZES, LOOSE
TROPICAL CLOTHING.

470
00:29:37,142 --> 00:29:39,275
YOU MEAN NO CLOTHING.

471
00:29:39,344 --> 00:29:41,311
NO CLOTHING?

472
00:29:41,379 --> 00:29:43,914
WELL, IT'S A NUDIST RETREAT.

473
00:29:43,983 --> 00:29:47,651
YOU MEAN, EVERYBODY IS NAKED?

474
00:29:47,720 --> 00:29:50,020
OH.

475
00:29:50,089 --> 00:29:52,422
THAT DOES MAKE YOU ANXIOUS.

476
00:29:52,491 --> 00:29:54,424
NO.

477
00:29:54,493 --> 00:29:57,594
I'VE BEEN AMONG THOUSANDS
OF NUDE PERSONS IN MY DAY.

478
00:29:59,264 --> 00:30:03,000
THEN IT'S SETTLED. I'M GOING
TO TAKE CARE OF EVERYTHING...

479
00:30:03,068 --> 00:30:05,936
PLANE TICKETS, RESERVATIONS.

480
00:30:08,340 --> 00:30:10,941
AND I'M NOT GOING TO FORGET...

481
00:30:11,010 --> 00:30:15,345
THAT CRÈME DE CACAO LOTION
YOU FIND SO EXHILARATING.

482
00:30:15,413 --> 00:30:18,682
OOH.

483
00:30:21,987 --> 00:30:24,387
AH, WELL.

484
00:30:24,456 --> 00:30:27,190
I HAD SUCH HOPES FOR THIS DUMP.

485
00:30:32,164 --> 00:30:34,097
COUNCILMAN McAURLEY...

486
00:30:34,166 --> 00:30:36,667
HE'S DROPPED OFF THE
END OF THE WORLD, FRANK.

487
00:30:36,735 --> 00:30:39,469
HE'S NOT IN HIS OFFICE. HE'S
NOT HOME. HE'S NOT ANYWHERE.

488
00:30:39,538 --> 00:30:42,405
AND NO ONE'S SPEAKING TO
ME. YOU TRY CITY COUNCIL?

489
00:30:42,474 --> 00:30:44,808
HE'S NOT THERE EITHER.
I'LL TELL YOU WHAT.

490
00:30:44,877 --> 00:30:47,010
UH, CHECK WITH HIS
LAWYER. MAYBE HE'S THERE.

491
00:30:47,079 --> 00:30:49,146
AND GET BACK TO
ME, ALF. I WANT HIM.

492
00:30:49,214 --> 00:30:51,214
OKAY, FRANK.

493
00:30:55,253 --> 00:30:58,254
CALL THE CLERK. SEE IF YOU CAN
SPEED UP THAT SEARCH WARRANT.

494
00:30:58,323 --> 00:31:00,323
ALL RIGHT.

495
00:31:03,612 --> 00:31:05,545
LaRUE. WASHINGTON.

496
00:31:05,614 --> 00:31:07,547
NEAL, I'M TELLIN' YOU.

497
00:31:07,616 --> 00:31:10,951
NEAL, FOR A THOUSAND DOLLARS,
YOU'RE GONNA BE A VERY, VERY RICH MAN.

498
00:31:11,019 --> 00:31:13,286
YEAH, IT SEEMS LIKE I
HEARD THIS BEFORE, MAN.

499
00:31:13,355 --> 00:31:15,689
WELL? WELL? DID WE GET IT?

500
00:31:15,757 --> 00:31:18,625
GET IT? HONEY, I HAD THE POOR
FOOL EATIN' OUT OF MY HANDS.

501
00:31:18,694 --> 00:31:21,361
YOU JUST CLEAR OUT A LITTLE
ROOM IN YOUR BANK ACCOUNT.

502
00:31:21,429 --> 00:31:24,664
HEY, TAKE A SEAT, BRUCE.

503
00:31:26,768 --> 00:31:29,569
GOT SOMETHING FOR YOU, SUNSHINE.

504
00:31:34,910 --> 00:31:37,577
<i>DETECTIVE BELKER.
IT'S YOUR MAMA.</i>

505
00:31:37,646 --> 00:31:39,646
<i>HI, MA.</i>

506
00:31:41,016 --> 00:31:44,784
<i>NOTHING'S WRONG. I'M
FINE. I'M WORKIN'. THAT'S ALL.</i>

507
00:31:44,853 --> 00:31:49,288
OKAY, I'M SMILING.
I AM. I'M SMILING.

508
00:31:51,994 --> 00:31:55,461
NO, I HAVEN'T TALKED
TO DEBBIE IN A FEW DAYS.

509
00:31:55,531 --> 00:31:58,865
NO, THERE'S NO SPECIAL
REASON. I'M JUST BUSY. THAT'S ALL.

510
00:31:58,934 --> 00:32:01,334
DID YOU CALL ME FOR
A SPECIAL REASON?

511
00:32:01,403 --> 00:32:05,505
♪ HAVA NAGILA HAVA NAGILA ♪

512
00:32:06,508 --> 00:32:09,475
<i>UH, MA...</i>

513
00:32:09,545 --> 00:32:12,111
HE'S CALLIN' HIS MOM.

514
00:32:12,180 --> 00:32:15,292
PROBABLY OFF TO A KIBBUTZ, YOU
KNOW WHAT I'M SAYIN'? AW, PLEASE, MA.

515
00:32:15,316 --> 00:32:17,250
THE MAN IS 83 YEARS OLD.

516
00:32:17,318 --> 00:32:22,321
IF HE WANTS TO DRINK A CUP OF HOT WATER
BEFORE HE GOES TO BED, WHAT'S THE BIG DEAL?

517
00:32:22,390 --> 00:32:25,725
THOSE THINGS HAPPEN, MA. THAT'S
WHAT YOU GOT A WASHING MACHINE FOR.

518
00:32:25,794 --> 00:32:28,294
♪ HAVA NAGILA ♪

519
00:32:29,898 --> 00:32:33,458
I GOTTA HANG UP, MA. I GOT WORK
HERE. I'LL CALL YOU BACK. GOOD-BYE.

520
00:32:34,836 --> 00:32:38,572
DON'T DO IT, MAN.
HE'LL EAT YOU ALIVE.

521
00:32:38,640 --> 00:32:41,575
<i>WHAT AM I DOIN'?</i>

522
00:32:43,445 --> 00:32:46,846
WHAT IS IT EXACTLY I'M DOIN'?

523
00:32:49,585 --> 00:32:52,085
LEAVE ME ALONE, LUDWIG.

524
00:32:52,153 --> 00:32:54,955
WHAT'S THE MATTER?

525
00:32:55,023 --> 00:32:57,023
YOU SCARED TO TAKE ME ON AGAIN?

526
00:32:58,226 --> 00:33:00,994
IS IT AGAINST YOUR DIETARY LAWS?

527
00:33:01,063 --> 00:33:05,531
THE PAST IS THE PAST,
LUDWIG. YOU JUST LET IT LIE.

528
00:33:05,601 --> 00:33:08,167
YOU'RE CHICKEN SOUP, BELKER.

529
00:33:08,236 --> 00:33:11,004
<i>AH, YEAH. THAT'S IT.</i>

530
00:33:11,073 --> 00:33:13,506
COME ON.

531
00:33:13,575 --> 00:33:15,642
<i>COME ON.</i>

532
00:33:23,051 --> 00:33:27,320
YOU... <i>TAKE IT EASY, MAN.</i>

533
00:33:34,062 --> 00:33:37,230
UH, OFFICER CARMICHAEL, LUDWIG,

534
00:33:37,298 --> 00:33:40,033
UH, IN THE CAPTAIN'S
OFFICE, PLEASE.

535
00:33:40,102 --> 00:33:42,035
SURE, SARGE.

536
00:33:42,104 --> 00:33:44,904
STAY RIGHT THERE.
HEY, DO YOU MIND?

537
00:33:55,917 --> 00:34:01,354
AS REGARDS CERTAIN REMARKS
OF AN ANTI-SEMITIC PERSUASION,

538
00:34:01,422 --> 00:34:04,891
SAID REMARKS ARE
TASTELESS IN THE EXTREMIS...

539
00:34:04,960 --> 00:34:08,828
AND WILL NOT BE
TOLERATED IN THIS PRECINCT!

540
00:34:08,897 --> 00:34:11,364
AM I PERFECTLY LUCID?

541
00:34:13,935 --> 00:34:15,869
YES, SIR.

542
00:34:15,937 --> 00:34:19,405
IN ADDITION, I HAVE NOTICED, IN
MY PERUSAL OF THE PARKING LOT,

543
00:34:19,474 --> 00:34:22,275
THAT YOUR UNIT HAS SUSTAINED
CONSIDERABLE SHOOTING DAMAGE...

544
00:34:22,343 --> 00:34:24,878
THE REAR WINDOWS,
THE TOP LIGHTS...

545
00:34:24,946 --> 00:34:27,781
<i>AND, MOST NOTICEABLY,
THE DRIVER'S SIDE DOOR.</i>

546
00:34:27,849 --> 00:34:32,552
I THOUGHT I MADE MYSELF QUITE CLEAR
REGARDING RUNS THROUGH SNIPER ALLEY.

547
00:34:32,620 --> 00:34:36,089
WE JUST TOOK THE WRONG
TURN IS ALL, UH, BEING NEW HERE.

548
00:34:36,158 --> 00:34:38,558
YEAH. AT LEAST WE
GOT YOUR SHOOTER.

549
00:34:38,626 --> 00:34:40,794
OH, YES. THE SHOOTER, HUH?

550
00:34:40,862 --> 00:34:43,663
AND THE WEAPON?

551
00:34:43,732 --> 00:34:47,466
HE MUST'VE DITCHED IT IN THE CHASE.
ROOFTOPS... YOU KNOW HOW THAT GOES.

552
00:34:47,535 --> 00:34:50,036
AH, YES, THE CHASE.

553
00:34:50,105 --> 00:34:53,239
TELL ME, LUDWIG, HOW HAVE YOU
TWO MANAGED TO STAY IN UNIFORMS...

554
00:34:53,308 --> 00:34:57,143
THAT YOU SO CONTINUALLY
AND HABITUALLY DISGRACE?

555
00:35:00,248 --> 00:35:03,717
<i>HOW ABOUT LET'S
NOT BOOK HIM, HUH?</i>

556
00:35:03,785 --> 00:35:05,952
THROW HIM IN HOLDING
TILL HE DRIES OUT...

557
00:35:06,021 --> 00:35:08,387
<i>AND THEN HIT THE BRICKS.</i>

558
00:35:08,456 --> 00:35:11,758
<i>UNTIL FURTHER NOTICE, YOU
TWO ARE ASSIGNED FOOT PATROL.</i>

559
00:35:11,827 --> 00:35:14,127
<i>FOOT PATROL? BUT IT'S COLD
OUT THERE, SARGE! YOU CA...</i>

560
00:35:14,196 --> 00:35:16,129
NO PROBLEM, SERGEANT.

561
00:35:16,198 --> 00:35:19,665
JUST, UH, LET ME RECONNOITER
ANOTHER SWEATER... WE'LL BE ON OUR WAY.

562
00:35:37,552 --> 00:35:39,919
<i>BELKER.</i>

563
00:35:42,023 --> 00:35:45,291
THERE'S NO GETTIN'
AWAY, YOU LITTLE HEBE.

564
00:35:45,360 --> 00:35:48,294
<i>JUST YOU AND ME.</i>

565
00:35:48,363 --> 00:35:50,930
RIGHT NOW.

566
00:36:05,480 --> 00:36:07,747
<i>OH, FRANCIS?</i>

567
00:36:07,816 --> 00:36:09,883
I HAVE A FEW MESSAGES
HERE FOR YOU.

568
00:36:18,894 --> 00:36:21,194
WHERE'S BELKER?

569
00:36:21,263 --> 00:36:23,429
LOCKER ROOM.

570
00:36:35,343 --> 00:36:37,554
<i>OH, GOD!</i>

571
00:36:43,285 --> 00:36:46,085
<i>- HEY, HEY, HEY!
- MICK! MICK, LET GO.</i>

572
00:36:46,154 --> 00:36:49,856
COME ON! MICK, STOP IT!

573
00:36:49,925 --> 00:36:52,525
ALL RIGHT. LET ME
SEE THE DAMAGE.

574
00:36:52,593 --> 00:36:55,594
WHAT THE HELL HAPPENED?

575
00:36:55,663 --> 00:36:57,596
HE DAMN NEAR BIT
OFF ANOTHER ONE!

576
00:36:57,665 --> 00:36:59,643
YOU WERE WARNED, BUT
YOU DIDN'T LISTEN, HUH?

577
00:36:59,667 --> 00:37:01,979
LUCY, WRAP THIS IN A TOWEL
AND GET HIM TO EMERGENCY.

578
00:37:02,003 --> 00:37:05,004
I COULDN'T HELP IT, CAPTAIN.

579
00:37:05,073 --> 00:37:07,373
HE WOULDN'T LEAVE ME ALONE.

580
00:37:07,442 --> 00:37:09,608
GET THAT CLEANED UP AND DRESSED.

581
00:37:12,480 --> 00:37:14,647
THEN I WANT TO SEE
YOU IN MY OFFICE.

582
00:37:40,858 --> 00:37:43,837
<i>YOU GOT ME GOOD, HUH, BABE?</i> THIS IS
GONNA GO STRAIGHT TO THE TOP, MAN.

583
00:37:43,861 --> 00:37:47,397
LET'S FACE IT. IT DOESN'T MAKE
ANY SENSE PUTTING ME IN THAT CAGE.

584
00:37:47,465 --> 00:37:49,666
MY LAWYER'S ON HIS WAY
RIGHT UP HERE. RIGHT...

585
00:37:49,734 --> 00:37:52,502
HEY, WAIT! WAIT... I'M
IN THE... I'M IN THE BUS...

586
00:37:52,570 --> 00:37:54,637
I'M A BUSINESSMAN. I'M IN
THE CIGARETTE BUSINESS.

587
00:37:54,706 --> 00:37:56,972
THAT'S LIFE.

588
00:37:57,041 --> 00:37:59,041
HI.

589
00:38:00,578 --> 00:38:03,780
WAIT. NO. COME ON. THERE YOU GO.

590
00:38:03,848 --> 00:38:06,015
HEAT.

591
00:38:06,083 --> 00:38:09,697
SERGEANT, I THINK THE HEAT'S
BACK ON. HEY! THE HEAT'S ON!

592
00:38:09,721 --> 00:38:13,690
HEAT, RAY. BACK
TO NORMAL, FINALLY.

593
00:38:13,758 --> 00:38:15,869
A TRANSITION, AS IT WERE.

594
00:38:15,893 --> 00:38:17,827
A RETURN TO NORMALCY.

595
00:38:31,343 --> 00:38:36,145
FRANCIS, THE WAY I SAW IT, I'D SAY
BELKER USED ADMIRABLE RESTRAINT.

596
00:38:37,248 --> 00:38:39,749
ALL RIGHT, THIS IS THE
WAY THE BEEF ENDS.

597
00:38:39,818 --> 00:38:42,685
LUDWIG AND CARMICHAEL
ARE OUT OF THIS PRECINCT.

598
00:38:42,754 --> 00:38:45,722
TODAY, IF WE CAN.

599
00:38:45,790 --> 00:38:48,324
WITH PLEASURE, FRANCIS.

600
00:38:48,393 --> 00:38:52,995
- YOU SEE ANY TEETH MARKS?
- NO. IT LOOKED
LIKE A CLEAN BITE.

601
00:38:53,064 --> 00:38:55,064
GUYS, EXCUSE ME.

602
00:38:56,768 --> 00:38:59,502
I FOUND THIS IN THE MEN'S ROOM.

603
00:39:00,739 --> 00:39:03,718
<i>IT'S MARV'S. HMM.</i>

604
00:39:03,742 --> 00:39:05,875
I KNOW THIS SOUNDS
A LITTLE MAUDLIN,

605
00:39:05,943 --> 00:39:10,279
BUT, UH, THIS IS ABOUT
ALL WE HAVE LEFT OF HIM.

606
00:39:10,348 --> 00:39:14,083
- MAYBE PUT IT IN A TROPHY CASE.
- WE DON'T HAVE
A TROPHY CASE, HENRY.

607
00:39:14,151 --> 00:39:16,619
WELL, MAYBE WE CAN
BUY ONE... BUILD ONE.

608
00:39:16,688 --> 00:39:19,188
CALL IT THE MARV
MEMORIAL TROPHY CASE.

609
00:39:19,257 --> 00:39:22,191
FRANK. FRANK, LOOK. FRANK, LOOK.

610
00:39:26,063 --> 00:39:29,265
FAY, WHAT'S THE MATTER?
WHAT'S GOING ON? OH, FRANK!

611
00:39:29,333 --> 00:39:31,601
UH, EXCUSE US,
WOULD YOU, PLEASE?

612
00:39:31,669 --> 00:39:36,038
I... I WAS... I WAS GOING
TO PICK UP FRANK JR.,

613
00:39:36,107 --> 00:39:39,876
<i>BUT I DECIDED TO GO HOME
FIRST AND GET DINNER STARTED.</i>

614
00:39:39,944 --> 00:39:42,445
<i>BUT THE MINUTE I
OPENED THE DOOR,</i>

615
00:39:42,514 --> 00:39:45,515
<i>I HAD THIS FEELING THAT
SOMETHING WAS WRONG.</i>

616
00:39:47,985 --> 00:39:51,331
ALL RIGHT. IT'S OKAY. ALL RIGHT. PULL
YOURSELF TOGETHER. COME ON. COME ON.

617
00:39:51,355 --> 00:39:53,333
<i>TALK TO ME.</i>

618
00:39:53,357 --> 00:39:56,292
<i>WELL, I HEARD THE WATER
RUNNING IN THE BATHROOM,</i>

619
00:39:56,360 --> 00:40:00,996
AND I DIDN'T THINK I HAD LEFT IT
ON, BUT SOMETIMES I DO, AND...

620
00:40:01,065 --> 00:40:03,733
WELL, I WENT INTO THE BEDROOM...

621
00:40:03,802 --> 00:40:06,936
AND HE'D BEEN THERE. YES.

622
00:40:07,004 --> 00:40:10,506
HE'D OPENED UP ALL MY
DRAWERS AND MY CLOSETS...

623
00:40:10,575 --> 00:40:13,375
AND TAKEN EVERYTHING OUT.

624
00:40:13,445 --> 00:40:17,580
HE PULLED THE BEDSPREAD OFF,
AND HE... HE TOOK MY UNDERWEAR...

625
00:40:17,649 --> 00:40:19,582
OKAY, OKAY. I GET THE PICTURE.

626
00:40:19,651 --> 00:40:22,117
DID YOU TOUCH ANY OF IT? NO.

627
00:40:22,186 --> 00:40:26,388
NO, I WAS ONCE MARRIED
TO A COP. I KNOW WHAT TO DO.

628
00:40:26,458 --> 00:40:30,726
GOOD GIRL. ALL RIGHT. YOU AND FRANK
JR. ARE COMING HOME WITH ME TONIGHT.

629
00:40:30,795 --> 00:40:33,596
BUT WHAT ABOUT... NO BUTS.

630
00:40:33,665 --> 00:40:37,667
I'M SENDING YOU OVER TO YOUR MOTHER'S
WITH HINGLE AND PEREZ TO PICK UP FRANK JR.

631
00:40:37,735 --> 00:40:40,614
THEN THEY'LL TAKE YOU TO MY PLACE
AND STAY WITH YOU TILL I GET BACK.

632
00:40:40,638 --> 00:40:43,138
HOLD ON. RAY!

633
00:40:44,542 --> 00:40:46,809
GET ME SWANSON. OH,
AND ECKER AT MIDTOWN.

634
00:40:46,878 --> 00:40:49,278
I WANT TO TALK TO THEM BOTH
RIGHT NOW ON THE SAME LINE.

635
00:40:49,347 --> 00:40:52,181
ALL RIGHT. THIS GUY...
THIS CRAZY... THIS JERK...

636
00:40:52,249 --> 00:40:54,750
IS AS GOOD AS GOT,
FAY, I SWEAR TO YOU.

637
00:40:54,819 --> 00:40:57,753
FRANK, I'M SORRY ABOUT
WHAT I SAID THIS MORNING.

638
00:40:57,822 --> 00:41:00,623
I DIDN'T MEAN IT...
ABOUT YOUR NOT CARING.

639
00:41:00,692 --> 00:41:03,192
FORGET IT.

640
00:41:03,260 --> 00:41:05,294
YOU WERE SCARED.

641
00:41:09,033 --> 00:41:12,969
FRANK, SWANSON. ECKER IS
NOT IN HIS OFFICE. KEEP TRYING.

642
00:41:24,749 --> 00:41:27,583
HOW'S THAT, FAY?

643
00:41:27,652 --> 00:41:29,819
GOOD. THANKS, PHIL.

644
00:41:31,389 --> 00:41:34,557
SO, HOW ARE THINGS?

645
00:41:34,626 --> 00:41:39,128
MMM, GIVEN THE EBBS AND
FLOWS OF LIFE, NOT TOO, TOO BAD.

646
00:41:39,196 --> 00:41:43,365
- NOT GREAT, BUT...
- CERTAINLY NOT BAD.

647
00:41:43,434 --> 00:41:46,168
WELL, YOU SOUND LOW.

648
00:41:46,237 --> 00:41:48,504
WELL, FAY, TWO WOMEN...

649
00:41:48,573 --> 00:41:50,573
TWO SETS OF EMOTIONS.

650
00:41:51,643 --> 00:41:55,811
TWO SETS OF WANTS,
NEEDS, DESIRES.

651
00:41:55,880 --> 00:42:00,650
TWO VERY DIFFERENT TECHNIQUES.

652
00:42:00,718 --> 00:42:03,686
<i>I MEAN, LYING
AROUND STARK NAKED...</i>

653
00:42:03,755 --> 00:42:09,324
<i>WITH HUNDREDS OF OTHER
NAKED PEOPLE OF BOTH SEXES...</i>

654
00:42:09,393 --> 00:42:14,697
PHIL, I'VE HAD A VERY
BAD COUPLE OF DAYS.

655
00:42:15,967 --> 00:42:18,400
OH, FAY, DID I SAY SOMETHING?

656
00:42:18,469 --> 00:42:20,469
OH, FAY.

657
00:42:20,538 --> 00:42:25,041
OH. SEX, SEX, SEX... I'M
SEXED TO THE TEETH!

658
00:42:26,044 --> 00:42:29,045
OH. OH.

659
00:42:43,761 --> 00:42:46,596
RAY, TELL FRANK I WANT
TO SEE HIM. YOU TOO.

660
00:42:52,003 --> 00:42:54,536
OUT OF RESPECT FOR
YOU, EMIL, WE WAITED,

661
00:42:54,606 --> 00:42:58,708
BUT SINCE YOU DIDN'T PULL A
WARRANT ON THAT APARTMENT, WE DID.

662
00:42:58,776 --> 00:43:03,545
IT WAS EITHER THAT OR HAVE McAURLEY
SUBPOENAED BY THE PUBLIC DEFENDER'S OFFICE.

663
00:43:03,615 --> 00:43:05,881
HIS BEING SUBPOENAED
ISN'T MY PROBLEM.

664
00:43:05,950 --> 00:43:09,986
THIS IS. THIS IS LOW,
FRANK... REAL LOW.

665
00:43:10,054 --> 00:43:11,988
TELL HIM, RAY.

666
00:43:12,056 --> 00:43:16,458
THE APARTMENT HOUSE SUPERINTENDENT
VERIFIES McAURLEY PAYS THE RENT.

667
00:43:16,527 --> 00:43:20,395
A SEARCH OF THE PREMISES DISCOVERED
McAURLEY'S PHONE NUMBERS IN HER BOOK...

668
00:43:20,464 --> 00:43:24,600
AND SNAPSHOTS OF THE
TWO OF THEM TOGETHER.

669
00:43:24,669 --> 00:43:27,770
<i>WE ALSO GOT DEPARTMENT STORE
RECEIPTS FOR WOMEN'S CLOTHES...</i>

670
00:43:27,839 --> 00:43:29,817
CHARGED TO McAURLEY'S ACCOUNT.

671
00:43:29,841 --> 00:43:32,207
AND...

672
00:43:32,276 --> 00:43:34,644
WE TURNED UP AN
ACQUAINTANCE OF THE VICTIM...

673
00:43:34,712 --> 00:43:38,480
WHO SAYS THAT ROSARIO RIVAS
WAS McAURLEY'S SPECIAL LADY.

674
00:43:39,483 --> 00:43:41,651
<i>WHAT'S GOING ON, EMIL?</i>

675
00:43:44,388 --> 00:43:46,656
NO SQUEEZE, FRANK.

676
00:43:46,724 --> 00:43:49,458
IT TOOK US TILL TODAY
TO VERIFY ALL THIS.

677
00:43:49,527 --> 00:43:51,527
YOU KNEW ABOUT IT DAYS AGO.

678
00:43:51,595 --> 00:43:53,595
LISTEN, FRANK.

679
00:43:53,665 --> 00:43:55,731
THAT KID KILLED THAT GIRL.

680
00:43:55,800 --> 00:43:58,534
WHATEVER ELSE SHE WAS
INVOLVED WITH IS IMMATERIAL.

681
00:43:58,602 --> 00:44:00,970
HE DID IT, AND WE
GOT HIM AND THAT'S IT.

682
00:44:01,039 --> 00:44:03,039
AND THAT'S IT.

683
00:44:03,107 --> 00:44:06,042
WHICH ADDS UP TO MURDER
ONE FOR THE RODRIGUEZ KID.

684
00:44:06,110 --> 00:44:09,945
THAT'S NOT MY PROBLEM, FRANK.
AND IT SHOULDN'T BE YOURS EITHER.

685
00:44:10,014 --> 00:44:13,482
<i>LET THE LADY PLEAD HIM
WHATEVER WAY SHE WANTS TO.</i>

686
00:44:13,551 --> 00:44:15,529
COME ON. I'VE SEEN HER WORK.

687
00:44:15,553 --> 00:44:18,598
SHE'LL PUT ON A DOG AND PONY SHOW
FOR THE D.A. THAT YOU WOULDN'T BELIEVE.

688
00:44:18,622 --> 00:44:21,168
CAPTAIN FURILLO'S OFFICE. SHE'LL
BEG HIM DOWN TO MANSLAUGHTER.

689
00:44:21,192 --> 00:44:24,237
HE'LL WALK OUT AFTER THREE. I BET A
THOUSAND BUCKS ON IT HERE AND NOW.

690
00:44:24,261 --> 00:44:26,261
YEAH?

691
00:44:26,330 --> 00:44:29,065
THEN WHY WON'T
McAURLEY TALK TO ME, EMIL?

692
00:44:29,133 --> 00:44:31,067
WHAT'S HE HIDING FROM?

693
00:44:31,135 --> 00:44:33,602
FRANK, DAVENPORT.

694
00:44:33,671 --> 00:44:35,604
SHE SAYS IT'S URGENT.

695
00:44:40,578 --> 00:44:42,511
FURILLO.

696
00:44:42,580 --> 00:44:46,648
McAURLEY'S ON CHANNEL 6 RIGHT
NOW, AND YOU WON'T BELIEVE IT.

697
00:44:46,718 --> 00:44:48,650
SURE. RIGHT AWAY.

698
00:44:48,720 --> 00:44:50,753
TURN ON CHANNEL 6.

699
00:44:59,030 --> 00:45:03,899
TALK A LITTLE, IF YOU WOULD, ABOUT THE
NATURE OF THIS RELATIONSHIP, COUNCILMAN...

700
00:45:03,968 --> 00:45:08,303
HOW, FOR EXAMPLE, YOU AND
MRS. McAURLEY CAME TO KNOW HER.

701
00:45:08,372 --> 00:45:13,042
DURING THE LAST CAMPAIGN, UH,
EVE GOT TO KNOW ROSE QUITE WELL.

702
00:45:13,111 --> 00:45:16,045
EVE HAD, UH,
VOLUNTEERED HER TIME...

703
00:45:16,114 --> 00:45:18,914
<i>TO HELP US ESTABLISH A
YOUTH CENTER DOWN HERE...</i>

704
00:45:18,983 --> 00:45:22,584
<i>AS AN ALTERNATIVE TO THE
LIFE OF CRIME AND VIOLENCE...</i>

705
00:45:22,653 --> 00:45:25,420
THAT AWAITS SO MANY
OF THESE YOUNGSTERS.

706
00:45:25,489 --> 00:45:30,826
EVE RECOGNIZED A RARE INTELLIGENCE
AND SENSITIVITY IN THE GIRL,

707
00:45:30,895 --> 00:45:35,164
<i>AND SHE PREVAILED UPON ME TO
HELP IMPROVE THE QUALITY OF HER LIFE.</i>

708
00:45:36,768 --> 00:45:39,412
<i>WE BECAME VERY
CLOSE... ROSE AND MYSELF.</i>

709
00:45:39,436 --> 00:45:41,771
<i>EVE AND I FELT, AND STILL DO,</i>

710
00:45:41,839 --> 00:45:46,675
THAT IT'S ONE THING
TO TALK A GOOD GAME.

711
00:45:46,744 --> 00:45:49,078
WE DECIDED TO
TAKE AN ACTIVE PART.

712
00:45:49,147 --> 00:45:53,816
SO YOU SEE, ROSE WAS
REALLY LIKE FAMILY TO US.

713
00:45:55,019 --> 00:45:58,020
<i>AND IT'S THE
CRUELEST OF IRONIES...</i>

714
00:45:58,089 --> 00:46:00,923
FOR THIS WONDERFUL
YOUNG WOMAN...

715
00:46:00,992 --> 00:46:03,259
TO HAVE LEFT US.

716
00:46:03,327 --> 00:46:05,128
CAN YOU TELL US
ANYTHING ABOUT THE

717
00:46:05,152 --> 00:46:07,729
CIRCUMSTANCES SURROUNDING
THIS CASE, COUNCILMAN?

718
00:46:07,799 --> 00:46:11,733
WELL, ALL I FEEL
AT LIBERTY TO SAY...

719
00:46:11,803 --> 00:46:16,005
WITHOUT, UH, DAMAGING THE
DISTRICT ATTORNEY'S INVESTIGATION...

720
00:46:16,073 --> 00:46:19,942
IS THAT THERE IS A SUSPECT...

721
00:46:20,011 --> 00:46:22,611
<i>IN CUSTODY AT THIS TIME...</i>

722
00:46:22,680 --> 00:46:26,581
<i>A YOUNG MAN WHO,
UH, KNEW ROSE BEFORE.</i>

723
00:46:26,650 --> 00:46:29,819
THANK YOU, COUNCILMAN
AND MRS. THOMAS McAURLEY.

724
00:46:29,887 --> 00:46:31,887
MY DEEPEST CONDOLENCES.

725
00:46:36,093 --> 00:46:38,527
SATISFIED, FRANK?

726
00:46:38,595 --> 00:46:41,297
<i>THAT'S ALL RIGHT.</i>

727
00:46:41,365 --> 00:46:43,565
YOU MEANT WELL,
BUT YOU DIDN'T KNOW.

728
00:46:43,634 --> 00:46:45,634
ENJOY THE PROMOTION.

729
00:46:45,703 --> 00:46:47,837
LET'S HAVE LUNCH
TOGETHER SOMETIME, RAY.

730
00:46:49,240 --> 00:46:51,473
I APPRECIATE THAT
VERY MUCH, EMIL.

731
00:46:58,682 --> 00:47:03,518
FRANCIS, WE CAN'T GET THE FURNACE TO
TURN OFF, AND I CAN'T RAISE MAINTENANCE.

732
00:47:03,587 --> 00:47:07,923
TALK ABOUT BANKERS' HOURS. DID
YOU KNOW THEY CLOSE DOWN AT 4:00?

733
00:47:08,993 --> 00:47:10,926
CALL A FURNACE COMPANY.

734
00:47:10,995 --> 00:47:13,495
PUT 'EM ON THE BOOKS
AS AN INFORMANT.

735
00:47:13,564 --> 00:47:16,565
OH, THAT'S A VERY CREATIVE IDEA.

736
00:47:16,633 --> 00:47:21,003
YOU KNOW, SINCE THE WORD'S OUT
THAT YOU MIGHT MOVE UP TO DIVISION,

737
00:47:21,072 --> 00:47:23,805
I HAVE A FEW REQUESTS
FOR TRANSFER.

738
00:47:25,209 --> 00:47:27,142
HOW MANY?

739
00:47:27,211 --> 00:47:29,945
TWENTY-EIGHT UNIFORMS,
17 PLAINCLOTHES...

740
00:47:30,014 --> 00:47:32,414
AND ONE POSSIBLE RETIREMENT.

741
00:47:32,483 --> 00:47:35,317
BUT YOU SHOULDN'T IN ANY WAY
LET THIS AFFECT YOUR DECISION.

742
00:47:37,188 --> 00:47:39,188
I'LL LOOK AT 'EM IN THE MORNING.

743
00:47:40,291 --> 00:47:42,892
GOOD NIGHT, PHIL.
GOOD NIGHT, FRANCIS.

743
00:47:43,305 --> 00:48:43,502
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